A final nail in the coffin of Le Corbusier's dream for urban housing
In the wake of the Grenfell Tower fire in London, an inferno which turned a 24-storey block of flats into a Roman candle in a couple of hours, killing at least 79 people, there will be inquiry upon inquiry to find who was responsible. (See Karl Stephan’s article below.)
I hope the name Le Corbusier (1887-1965) comes up. It was this Swiss-French architect who inspired a generation of high-rise apartment blocks. His famous dictum, “A house is a machine for living in” gives the flavour of his uber-rational designs.
His only building in the United States is the Carpenter Center for the Visual Arts at Harvard University. He designed it in his studio in Europe and it is said that when he arrived for the opening ceremony, he gasped, “Oh my God, they’ve built it upside down.” True or not, it gives you an idea of the inhumane starkness of his style.
Le Corbusier’s geometrically pure high-rises were favourites of architects around the world. It was just the people who lived in them who hated them. But they didn’t matter too much.
After the wretched failure of the urban forests of concrete designed by acolytes of Le Corbusier, architects have returned to small-scale, human, eco-friendly and sustainable projects. It can’t come too soon. The faster we bury Le Corbusier the better.
